“Jules actively does not think about that a lot because it’s something that bothers her and hurts her,” Schafer says of Jules’ mother’s absence. ![]() But Friday’s installment makes an explicit link between Jules’ turbulent upbringing and anxieties about Rue’s fragile hold on sobriety. “Euphoria” has previously offered glimpses into Jules’ traumatic history with her mom, who is largely absent from the show. In addition to the therapy session, the episode features a mix of dream and fantasy sequences - such as the apartment nightmare - as well as flashbacks providing further insight into Jules’ complex relationships with her mother and with Rue, both of whom struggle with addiction. not a fun way or a fruitful way to think about inhabiting your gender.” and psychological in a way that’s outside political gender assignments of, like, male and female. “Gender and self-expression are incredibly fluid and incredibly ever-changing,” she continues. “She is, rightfully so, going through a questioning of and the decisions made before - not because they were wrong in any way but just because she is evolving as a human and is coming to understand herself in a deeper way,” Schafer says. “Being trans is spiritual” for her, Jules explains to her therapist, and she doesn’t want to “stand still.” Schafer’s reflection became the inspiration for “F- Anyone Who’s Not a Sea Blob,” during which Jules considers going off her hormones after coming to the self-critical realization that she’s “framed her entire womanhood around men.” “Like, rather than wanting to be as beautiful as another cis woman, wanting to be as beautiful as something even grander, like the ocean.” “It was about this strange spiral I was having about hormone therapy and making an analogy between learning how to find beauty within yourself,” says Schafer, who, like her character, is trans. Schafer shared with him a poem she wrote upon graduating high school: Shortly after Levinson penned the series’ first holiday special, starring Zendaya as Rue, he and Schafer began generating ideas for a followup from Jules’ perspective. Key to Schafer’s healing process was resuming work on “Euphoria” in a new creative role. It sucked at the time because it was really kind of a crash and burn, but I’m so thankful for it.” “I’m medicated now, and I feel more like myself than I have in years. “Having to really sit with myself and not having an objective was terrifying and brought up a lot of things maybe I hadn’t processed yet,” she says. “Which was really difficult, because even I personally love Rue so deeply and do not like to think about the images that I had to come up with in my head and sit with for that scene.” “It was kind of like letting the worst of Jules’ imagination take over,” Schafer says during a video call from New York City. Jules’ increasingly desperate pleas to “open the f- door” are met with ominous silence - an extension of last month’s episode, which saw the self-destructive Rue midrelapse in their shared dreamscape. During the intense nightmare, Jules arrives at her imaginary New York City apartment to find her high school soulmate, Rue (Zendaya), alone and unresponsive in their bathroom. The harrowing dream sequence occurs near the end of Friday’s “Euphoria” special, which sees Jules in a prolonged state of vulnerability and introspection. This sequence involved none of the above - just Schafer in character as Jules, a locked door and a devastating fear of what awaited on the other side. The 22-year-old actress described it as the “most physically demanding scene” she’s ever filmed for the gritty HBO drama, which became known during its first season for graphic depictions of violence, sex and hard drugs. Hunter Schafer spent a half-hour screaming, sobbing and slamming her body against a door while shooting the latest episode of “Euphoria.” Warning: This post contains spoilers from this week’s special episode of “Euphoria.”
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